Blanche Dubois and Tom Wingfield’s Struggle Between Fantasy and Reality

Blanche DuBois and Tom Wingfield’s Struggle Between Fantasy and Reality The two characters, Blanche DuBois from A Streetcar Named Desire and Tom Wingfield of The Glass Menagerie, both offer a serious battle among dream and reality in their lives causing reliance upon liquor. Whiten DuBois approaches as a high class Southern Belle who relies on others to think about her, however in all actuality she flourishes with her self-announced sovereignty. In the interim, Tom Wingfield is a critical character who denies his life working at a shoe manufacturing plant for his mom and sister while living in the shadows of his dad. Both these characters likewise build up a reliance upon liquor to conquer clashes they are confronted with. Blanche’s battle happens subsequent to losing all she had back home in Belle Reve aside from her trunk of garments and props, however is presented to the hash truth of this present reality where she can't adapt and should rely upon others. One model, for example, Stanley Kowalski’s companion, Mitch, whom she right away needs to wed to be spared from her present corrupting way of life. â€Å"Ms. DuBois says that she is on an excursion at the Kowalski’s, yet in actuality has lost the family house, Belle Reve, and her showing position because of her sexual thoughtless activities, the last one with a 17-year-old kid while procuring a notoriety for laying down with men unpredictably, meanwhile professing to be a Southern chime (Magill standards. 1-2). Blanche is so up to speed in her dreamland that she even had relations with the conveyance kid, too, so she may cover her age with youth and to have control of another. Tom ends up attempting to satisfy his fantasies about composing verse. This is because of his working at the neighborhood shoe industrial facility so he can bolster his family. â€Å"Mr. Wingfield is frantically miserable in his distribution center occupation, and ends up remaining on the emerge ncy exit to the condo in his expectations of one day escaping to seek after his fantasies as his dad bloomed (standards. 15-16). Tom is continually discussing how he is held down from his expectations, objectives, dreams, and desire stuck in the shoe production line making a lousy pay for his family, comprised of a wiped out sister and insane mother. Tom can't acknowledge the truth that encompasses him and is continually mulling over about his fantasy life, which he is shielded from accomplishing. Blanche, similar to Tom, manhandles liquor to get away from her battles among dream and reality. Blanche is recognizably an abuser of liquor as she is found continually tasting endlessly at alcohol to overlook her past, which her inner voice knows is blameworthy. Tom is supposed to be at â€Å"the movies,† in the interim he is in reality out at the bars the entire hours of the night. This is Tom’s method of briefly getting away from his home and overlooking his obligations that trap and keep him from achieving his objectives throughout everyday life. Neither one of the characters needed liquor, however manhandled it to an unfortunate level, where they expended it when confronting unpleasant occasions or disturbing recollections that followed. Likewise, in the two plays these two characters concealed the way that they ever even expended alcohol, while they were continually drinking in complete disavowal. The two characters, Blanche DuBois from A Streetcar Named Desire and Tom Wingfield of The Glass Menagerie, both offer an extreme battle among dream and reality in their lives causing reliance upon liquor. Blanche’s powerlessness to adapt to this present reality alone makes her a frail character. She can't live autonomously and has lost such once made her life, back in Belle Reve, because of her mistook relationship for an understudy of hers. Tom, in actuality, has a solid character that is worked on after some time because of the tormenting way of life he should live to help his family. After time this solid establishment of character decreases as Tom needs to escape his fixed life back at home. 1. Magill Book Reviews 1990/03/15 2. Blossom's Modern Critical Interpretations: The Glass Menagerie; 1988, p31-41, 11p 3. Merriam-Webster's Encyclopedia of Literature; Letter D, pN. PAG, 1p 4. Tennessee Williams. A Streetcar Named Desire. Harold Bloom †manager. Distributer: Chelsea House. Spot of Publication: New York. 1988. 5. Tennessee Williams. The Glass Menagerie. Harold Bloom †editorial manager. Distributer: Chelsea House. Spot of Publication: New York. 1988.